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Founder of Futurist painting Giacomo Bala Giacomo Bala - (1871-1958) came to be in Turin, Italy and gone after Rome at the ages of 24. Later he was staring at the optical mixing techniques of impressionist in Paris, France. In 1909, the poet Marinetti published 'Futurist Manifesto' to praise modern industrial civilization, science to totally change traditional concepts of your time and space and advocate that future art should show modern machine civilization, power and competition on one side; however, to question the conservative culture, eliminate cultural heritage from ancient Rome, and advocate destroying museums, libraries and colleges. Futurism initiated because of this manifesto. In 1910, Bala as well as other Italian artists jointly published 'Declaration of Futurist painting techniques', askin destroying old social and cultural order with the weapon of art. Bala became one of the founders of 'Futurism'. Creation interest of 'Futurism' artists covered each of the art forms, including painting, sculpture, poetry, theater, music, etc. Bala advocated the principle of simultaneity in painting and displayed the moving objects through description of each and every side of the same resist lead art from negative to positive, from abstract to real, from the past on the future. Bala's works were characterized through the basic use of color and shape, concentrate on melody, abstract handling of light and color to manifest the rate, movement and strength. 'The dog on the chain' is Bala's most famous work, depicting the women dressed up in skirts while using dog walking in the street. Because the figure and dog were moving, therefore the dog on this picture had many legs as opposed to four legs, leaving continuous memory of motion inside space. Many different instantaneous images were simultaneously condensed about the same scene like a film or perhaps a continuous shooting. Such multi-object, multi-dimensional simultaneous juxtaposition gave a feeling of speed towards the picture. On the basis of 'Cubism', Bala added the factors of speed and Free Ad - some time and superposed different movements on the same image. What he stressed was the so-called principle of simultaneity of art, which is to depict all sides of the object inside a certain activity to demonstrate the motion of the object.